Waan represents the musical marriage of seasoned saxophonist Bart Wirtz and keyboard wiz Emiel van Rijthoven. As a pair of self-confessed tech nerds hailing from The Netherlands, their bromance was a slow burning one, but nevertheless their eventual collaboration fulfilled a dream that they’d both held close since first working together back in 2010.
The symphonic soul mates formed Waan - a Dutch word literally meaning “delusion” but in the more positive sense of “living in the moment” - originally as a collaborative live band but eventually came to the conclusion that the creative process was best kept between the two of them. Any other instrumentalists were used as guest session musicians and the pair found themselves running the project in a way more akin to dance music producers. This of course had an influence on the music itself, which the duo wanted to be more crossover and have a more experimental edge to its sound.
The album’s title reflects the relationship between Waan’s two members. They are the echo of each other’s echo - a symbiotic and never ending musical relationship. The appellation also suggests that you’ll definitely need to listen to this collection of songs at least twice to discover the myriad of subtle details and influences that are on show. Influences as disparate as Floating Points, BadBadNotGood and Eddie Harris. Echo Echo is far more complex than just being a dance music influenced jazz record. Co-producer Oscar de Jong encouraged the pair to play freely as part of a jazz group and then add the electronic elements. As a result the album owes as much to Duke Ellington and Lalo Schiffrin as it does NERD and The Eurythmics!